Family Dog poster no. 79; bright blue ground; illustration at center of multiple figures including woman with snake, Quaker Oats man, Lipton Tea man, woman with baked goods, woman with grapes, and corn, wheat, pumpkin, and mushrooms, with red can at top; red, yellow, green and brown border and text — Big Brother and the Holding Company, Blue Cheer, Eighth Penny Matter, September 8-9, Denver, 1967
Rick Griffin; Publisher: Family Dog Productions, San Francisco

Not on View

Family Dog poster no. 67; brown ground; black and white photograph of two men wearing hats leaning on table with lamp in foreground — The Charlatans, The 13th Floor Elevators, Avalon Ballroom, June 22-25, 1967, 1967
Rick Griffin; Photographer: Herb Greene; Publisher: Family Dog Productions, San Francisco

Not on View

Family Dog poster no. 89; comic strip in multi-colors with "The Family Dog" at top; mouse and blonde surfer characters; pink typewritten text at bottom — Quicksilver Messenger Service, Sons of Champlin, Taj Mahal and the Blue Flames, October 27-29, Avalon Ballroom, 1967
Rick Griffin; Publisher: Family Dog Productions, San Francisco

Not on View

Family Dog poster no. 71; brown with black and green text; black and white photograph of seated man with candlestick — The Charlatans, The Youngbloods, The Other Half, July 13-16, Avalon Ballroom, 1967
Bob Fried; Photographer: Herb Greene; Publisher: Family Dog Productions, San Francisco

Not on View

Family Dog poster no. 41; orange background with illustration of back of sailing ship ship on water in center, with "1967" on back — Country Joe and the Fish, Moby Grape, Lee Michaels, Avalon Ballroom, December 30-31, 1966, 1966
Alton Kelley; Artist: Stanley Mouse

Not on View

Family Dog poster no. 45; gold background with standing female figure with very long golden hair wearing a green robe leaning on a tall vase against red circle; green text — The Grateful Dead, Quicksilver Messenger Service, January 27-28, Avalon Ballroom, 1967
Alton Kelley; Designer: Stanley Mouse; Publisher: Family Dog Productions, San Francisco

Not on View

Family Dog poster no. 78; blue background with nude female figure with wings; orange and pink; purple typewritten text at bottom — Miller Blues Band, Mother Earth, Bukka White, Avalon Ballroom, September 1-3, 1967, 1967
Alton Kelley; Artist: Stanley Mouse

Not on View

photo of man with his PL hand up to his head, looking down at an inkwell, with a pen beneath his PR hand; orange, red, yellow, and black; "HEAVY" in elaborate text at top; black typewritten text at bottom — Country Joe and the Fish, Charlatans, Dan Hicks and His Hot Licks, Avalon Ballroom, January 26-28, 1968, 1968
Alton Kelley; Artist: Stanley Mouse

Not on View

cartoonish style; landscape with figures and text in clouds in sky; black and white pyramid of people and animals at bottom center with red and white striped ground; sun at center right; black typewritten text at bottom center — Buddy Guy, Quicksilver, Son-House, Avalon Ballroom, February 23-25, 1968, 1968
Paul Zavorskas

Not on View

%C2%A9 Chet Helms DBA Family Dog Productions. All Rights Reserved

Pink Floyd, Avalon Ballroom, 1968

Bob Schnepf

Not on View

photographic image of a kneeling nude man kissing a reclining nude woman with one knee upraised, in pink and purple; blue ground with black trees superimposed over man's body and woman's head — The Steve Miller Band, Howlin' Wolf, Conqueroo, Avalon Ballroom, July 12-14, 1968, 1968
Paul Kagan

Not on View

photo of Michelangelo’s Adam and God's hand from the Sistine Chapel printed in brown; text in green and pink; brown typewritten text at bottom — Big Brother and the Holding Company, Charles Lloyd, Sir Douglas Quintet, March 17-18, Avalon Ballroom, 1967
Rick Griffin

Not on View

green ground at top, yellow ground at bottom; yellow and red head and torso of Christ handing a lily, with a flaming heart on his chest, at top; purple upside-down sketchy skulls and swastikas, with head and torso of skeleton wearing crown and colorful medals on its chest; purple typewritten text along left edge at ULC — The Fugs, Ace of Cups, Allmen Joy, Avalon Ballroom, April 12-14, 1968, 1968
Jaxon

Not on View

oval composition with orange ground around edges; portrait of a yellow-skinned woman with red hair and flowers and scrolling patterns surrounding her head, wearing a lacy blouse; blue typewritten text at bottom — Young Bloods, It's a Beautiful Day, Santana Blues Band, Garden of Delights, Avalon Ballroom, June 28-30, 1968, 1968
David Warren

Not on View

black and white; ghoulish silhouette of woman's head and torso superimposed over a white doily-like mandala; white typewritten text at bottom — Frumious Bandersnatch, Clearlight, Buddy Guy, Avalon Ballroom, June 14-16, 1968, 1968
Larry Stark

Not on View

black and white manipulated photographic image; pair of dirty hands holding a fruit which appears to be growing on a thick stem from the ground below — Byrds, Taj Mahal, Genesis, Avalon Ballroom, November 1-3, 1968, 1968
Wes Wilson

Not on View

%C2%A9 Chet Helms DBA Family Dog Productions. All Rights Reserved

Jerry Abrams, Quicksilver Messenger Service, Sons of Champlin, Initial Shock, Avalon Ballroom, November 28-30, 1968, 1968

Steve Rahn; Artist: San Andreas Fault (Tad Hunter)

Not on View

black and white; negative image in an oval of a standing man with long hair and long bangs wearing a striped shirt and a squash blossom necklace; "8" and club symbol in ULC and LRC (upside down); white typewritten text at bottom — Quicksilver Messenger Service, Dan Hicks and his Hot Licks, Howlin' Wolf, Avalon Ballroom, July 26-28, 1968, 1968
Casey Simpson; Printer: Tea Lautrec Litho, San Francisco; Publisher: Family Dog Productions, San Francisco

Not on View

black and white photographic image of a hollow TV cabinet outdoors casting a shadow in foreground — Quicksilver Messenger Service, Black Pearl, Ace of Cups, Avalon Ballroom, October 4-6, 1968, 1968
Wes Wilson

Not on View

brown bear with green eyes wearing pink ballet slippers on its hind feet, standing behind and holding up a yellow trimmed purple banner with yellow and blue text; yellow mountain in background; grass and flowers at bottom; white typewritten text at bottom — Quicksilver, Ace of Cups, Flamin' Groovies, Avalon Ballroom, May 10-12, 1968, 1968
Bob Schnepf

Not on View

photo collage with moon in orange sky and mountains in background; horizontally placed black monkey face with wild eyes and wide open mouth with teeth bared; cat dressed in pink dress and flowered bonnet at left; blue typewritten text and bottom — Siegel Schwall, Blue Cheer, Soul Survivors, Avalon Ballroom, December 21-23, 1967, 1967
Chris Johnson

Not on View

black and white photographic image of a run-down abandoned gas station; "HOLY CITY SERVICE" painted at front edge of overhang — Flatt and Scruggs, Jack Elliott, Sons of Champlin, Country Weather, Avalon Ballroom, September 27-29, 1968, 1968
Wes Wilson

Not on View

black and red; face of Statue of Liberty with a white tear beneath her PL eye; red ground with red-on-red text; red typewritten text at bottom center — Blood, Sweat, and Tears, John Handy, Son House, Avalon Ballroom, March 15-17, 1968, 1968
Stanley Mouse

Not on View

black and white; composite image in a trident shape with alligator at bottom, leaves, fruits, insects and butterflies, man's head with dark glasses, and parachute; black ground; white typewritten text at bottom center — The Youngbloods, It's A Beautiful Day, Initial Shock, Avalon Ballroom, August 29-31, 1968, 1968
Roger Weil

Not on View

butterfly with purple, silver, and black wings with body in the form of a nude woman with head tilted up; green ground; green typewritten text at bottom — Iron Butterfly, Velvet Underground, Chrome Cyrcus, Avalon Ballroom, June 7-9, 1968, 1968
Bob Schnepf

Not on View

green, red, blue; eyes and forehead with red hexagon with radiating lines extending from center of forehead; "BREAK ON THROUGH TO THE OTHER SIDE" below text at top; white typewritten text at bottom center — The Doors, The Sparrow, Country Joe and the Fish, Avalon Ballroom, March 3-4, 1967, 1967
Victor Moscoso

Not on View

left side of image: black and white photo of a standing man wearing round glasses and a military helmet in front of patriotic bunting, pointing with PR hand, inside an oval picture frame with a figure with two small American flags at bottom of frame; right side of image: Statue of Liberty figurine — Mother Earth, Kaleidoscope, A.B. Skhy, Garden of Delights, Avalon Ballroom, November 8-10, 1968, 1968
Jerry Wainwright

Not on View

photo of three men--one standing, one seated on a log or drum, one seated on ground--wearing tall rounded hats, skirted coats, and leggings with wraps; two men have waist-length hair in tight curls, one man has shoulder length hair; text in blue, white, and orange at top; blue typewritten text at bottom — Grateful Dead, Quicksilver Messenger Service, Johnny Hammond and his Screaming Nighthawks, Robert Baker, Avalon Ballroom, March 24-26, 1967, 1967
Rick Griffin

Not on View

square with text in pink, purple, yellow, and blue with yellow eye at center; purple and green ground; blue border; purple typewritten text at bottom — Big Brother and the Holding Company, The Charlatans, Blue Cheer, Avalon Ballroom, March 31-April 1, 1967, 1967
Victor Moscoso

Not on View

grainy black and white image of nude woman's body with PL knee up and PR leg folded in, with head not visible — Love, Lee Michaels, Saloom Sinclair and Mother Bear, Garden of Delights, Avalon Ballroom, November 15-17, 1968, 1968
Thomas Weir

Not on View

black and white; dark manipulated photographic image of a foreshortened standing barefoot man viewed from low angle — Grateful Dead, Lee Michaels, Linn County, Mance Lipscomb, Avalon Ballroom, October 11-13, 1968, 1968
Wes Wilson

Not on View

photographic image printed in green and yellow of three rows of people wearing gas masks of various types; pink banner with yellow text at top: "IT'S A GAS!"; blue ground with black vertical lines; blue typewritten text at bottom — Quicksilver, Charlatans, It's A Beautiful Day, Avalon Ballroom, April 26-28, 1968, 1968
Alton Kelley

Not on View

pink ground with red border; pixilated face of Charlie Chaplin in blue in background; yellow and green palm trees at left and right; standing woman with bare arms and green hair on stairs, LRC; reclining yellow woman, LLC; winged figure in a yellow circle at bottom center; purple typewritten text at bottom center — Siegal Schwall Band, Kaleidoscope, Savage Resurrection, North American Ibis Alchemical Co., Avalon Ballroom, March 22-24, 1968, 1968
San Andreas Fault (Tad Hunter)

Not on View

Alice from "Alice in Wonderland" and the Griffin in blue; flowers at bottom and along edges; blue typewritten text at bottom in LLC — Iron Butterfly, Indian Head Band, The Collectors, Avalon Ballroom, July 4-7, 1968, 1968
Dottie (Dorothy Hochberg)

Not on View

black and white; Art Deco style borders forming three rectangular areas--one at center with distorted photographic image of a man's head with his forehead far above his face; text at right — The Steve Miller Band, Muddy Waters, A.B. Skhy Blues Band, Avalon Ballroom, September 20-22, 1968, 1968
Wes Wilson

Not on View

stylized green face or mask with red lips and black around eyes, with blue hands with stars behind it, forming a sort of headdress; green ground; pink behind face; black typewritten text at bottom — Steppenwolf, Charlie Musselwhite, The 4th Way, Indian Head Band, April 19-21, Avalon Ballroom, 1968
Bob Fried; Publisher: Family Dog Productions, San Francisco

Not on View

black-and-white; photographic image of a cross-shaped monument with a sculpture of a standing figure with a bowed head in front of cross, in silhouette with bright sunshine in sky; white typewritten text at right below image — Steppenwolf, Siegal Schwall, Santana, Avalon Ballroom, August 9-11, 1968, 1968
Billy Glover

Not on View

pinkish-orange eagle in a golden cloud over a yellow orb emitting six lightning bolts; orange stars at top; eagle holds green ribbon in its beak; cartoon hand with middle finger raised at bottom center above two green ribbons; blue typewritten text at bottom — The Electric Flag, Mad River, The Fugs, 13th Floor Elevator, Avalon Ballroom, February 2-4, 1968, 1968
Victor Moscoso

Not on View

photo printed in sepia tones of five men in Old West-style clothing on steps and porch of old building; drawing in blue, black, and red of "Sparrow Canned Heat" at bottom center; blue typewritten text at bottom — The Charlatans, Sparrow, Canned Heat, April 7-8, Avalon Ballroom, 1967
Rick Griffin; Artist: George Hunter

Not on View

black and white photographic image of a nude woman seated in lotus position with her hands together in prayer position at her chest, with a rose on her lap; white typewritten text at bottom — Country Joe and the Fish, Pacific Gas and Electric, Boogie, Avalon Ballroom, July 23-25, 1968, 1968
San Andreas Fault (Tad Hunter)

Not on View

printed in black on fluorescent red ground; five men seated in a small rowboat at bottom center; black sky; low horizon line — Bob Diddley, Sons of Adam, Little Water, Longshoremen's Hall and Avalon Ballroom, August 5-7, 1966, 1966
Alton Kelley; Artist: Stanley Mouse

Not on View

printed in blue, red, and orange; pixelated image of heads and torsos of two figures with long hair wearing scoop necked blouses holding the "Family Dog" symbol; fan like elements at top corners; purple typewritten text at bottom — Chambers Brothers, Iron Butterfly, Avalon Ballroom, April 28-29, 1967, 1967
Victor Moscoso

Not on View

red, green, and blue; cat eyes at center; lettering at top and bottom; blue typewritten text at bottom — The Miller Blue Band, Doors, Daily Flash, Avalon Ballroom, June 1-4, 1967, 1967
Victor Moscoso

Not on View

rectangular black-and-white image of an air balloon with a ball with stars and large American flags at bottom, with a female figure standing on ball and a male acrobat hanging face up from bottom of ball; blue ground; patriotic striped archway with draping curtain forms — Daily Flash, Quicksilver Messenger Service, Country Joe and the Fish, Avalon Ballroom, November 18-19, 1966, 1966
Alton Kelley; Artist: Stanley Mouse

Not on View

black and white; photographic image of one of the gargoyles from Notre Dame; text in black and white over image — The Grass Roots, Big Brother and the Holding Company, The Buddha from Muir Beach, Avalon Ballroom, June 3-4, 1966, 1966
Victor Moscoso

Not on View

black and white; central oval photographic image of Native Americans wearing feathered headdresses on horseback; bubble letters overall — Jefferson Airplane, Big Brother and the Holding Company, February 19, Fillmore Auditorium, 1966
Wes Wilson

Not on View

printed in purple; small oval image of a bare-breasted woman with a snake's head on her PR shoulder; oval composition with "LOVE CONCERT / DANCE" around oval opening — Big Brother and the Holding Company, Avalon Ballroom, July 15-16, 1966, 1966
Alton Kelley; Artist: Stanley Mouse

Not on View

woman wearing a red and pink dress with blue flowers and blue on each side of skirt, dancing; green ground with yellow swirls; text in blue and bottom — Quicksilver Messenger Service, The Miller Blues Band, The Other Half, Avalon Ballroom, January 6-7, 1967, 1966
Victor Moscoso

Not on View

drawing of man with round glasses and dark moustache wearing an black jacket and a shirt with pleats; ribcage visible; yellow sun with white rays on red ground below man's waist; tan ground; black typewritten text at bottom — Youngbloods, Mad River, Avalon Ballroom, November 10-12, 1967, 1967
Chris Johnson

Not on View

three gesturing figures, each standing on the top of a cone-shaped mountain peak; printed in yellow and purple — Buffalo Springfield, Daily Flash, Congress of Wonders, Avalon Ballroom, December 2-3, 1966, 1966
Tom Glass

Not on View

head of cartoon man with glasses (Alfred E. Neuman) in oval at top center with an atomic mushroom cloud in ULC and a toadstool in URC; pair of hands holding a book at bottom; printed in black, medium green, light green, and tan; green typewritten text at bottom — Other Half, Sons of Champlin, 1601 West Evans Street, Denver, November 10-11, 1967, 1967
Alton Kelley; Artist: Stanley Mouse

Not on View

"GOLDRUSH" at top in yellow and white letters; photo of head of a Native American man wearing a top hat with a cigarette in his mouth emerging from a winged pot at center; red ground; green and red lettering at bottom; black typewritten text at bottom — Quicksilver Messenger Service, John Hammond and his Screaming Nighthawks, Charles Lloyd, April 21-22, Avalon Ballroom, 1967
Rick Griffin

Not on View

composite image with tight circle of nude women, printed in orange and black, surrounding taller nude woman holding a mirrored disco ball over hear head; image of large black cat with yellow chest and green eyes behind women; yellow and black checked floor tiles; blue "sky" with orange stars; pea green border; blue typewritten text at bottom — Canned Heat, Lothar and the Hand People, Allmen Joy, Avalon Ballroom, November 3-5, 1967, 1967
Bob Fried; Publisher: Family Dog Productions, San Francisco

Not on View

printed in black and red; bull's head with "CHOICE" on neck on red ground — Captain Beefheart and his Magic Band, The Oxford Circle, Avalon Ballroom, June 17-18, 1966, 1966
Stanley Mouse

Not on View

seated man with blue hair and beard and red skin, holding a staff in his PR hand, with a large orange fish arcing around him; woman with red skin in LLC with her PR arm draped across man's lap, reaching up to touch man's chin with her PL hand; other orange fish around figures; red waves and orange sky; purple typewritten text at bottom — Moby Grape, The Charlatans, Avalon Ballroom, February 24-25, 1967, 1967
Victor Moscoso

Not on View

woman and baby holding a flower in front of a bright red circle; gold edging with foliage and Classical figures, with a portrait in each corner; black typewritten text at bottom — Big Brother and the Holding Company, Mount Rushmore, Canned Heat, Mother Earth, Avalon Ballroom, July 20-23, 1967, 1967
Dennis Nolan

Not on View

printed in purple and tan; oval image of a woman with a large snake draped around her body, with the snake's head on her PR shoulder; background printed in tan with lacy pattern — Jefferson Airplane, Great Society, Avalon Ballroom, July 22-23, 1966, 1966
Alton Kelley; Artist: Stanley Mouse

Not on View

black and white; photo of shirtless man's head and torso turned 3/4 to PR with his head raised and his PR hand on his forehead, with PL hand on PR wrist; bubble letters on black ground — Paul Butterfield Blues Band, Quicksliver Messenger Service, Fillmore Auditorium, March 25-27, 1966, 1966
Wes Wilson; Artist: Chet Helms; Publisher: Family Dog Productions, San Francisco

Not on View

oval with drawing of an old black woman with a gold tooth, wearing gold earring and red headscarf and shawl, and yellow blouse with blue flowers, pointing to a yellow card she holds in her PR hand; "A MAGIC SHOW" printed at top; yellow border; blue ground around oval; black typewritten text at bottom — Big Brother and the Holding Company, Canned Heat Blues Band, The Congress of Wonders, June 8-11, Avalon Ballroom, 1967
Rick Griffin

Not on View

cartoonish drawing of chicken on a unicycle; bird on skateboard, LRC; bird on tricycle, LLC; figures wearing chicken masks on a bicycle in ULC and on a scooter in URC; printed in purple and black — Quicksilver Messenger Service, Blackburn and Snow, Sons of Champlin, October 28-29, Avalon Ballroom, 1966
Victor Moscoso

Not on View

pink ground; painterly face of woman in yellow; gold lettering at bottom; gold typewritten text at bottom — Canned Heat, Allmen Joy, 1601 West Evans Street, Denver, October 20-21, 1967, 1967
Alton Kelley

Not on View

printed in red and black; photo of smiling woman's face in ULC and smiling man's face in URC — The Blues Project, The Sons of Adam, Quicksilver Messenger Service, Avalon Ballroom, May 13-14, 1966, 1966
Wes Wilson

Not on View

%C2%A9 Chet Helms DBA Family Dog Productions. All Rights Reserved

Country Joe and the Fish, The Sparrow, The Kaleidoscope, Avalon Ballroom, February 3-4, 1967, 1967

Victor Moscoso

Not on View

printed in purple and pink; photo of a man slightly squatting with arms outstretched and finger splayed, seen from below, as if riding down a bumpy slide; radiating wavy and straight pink and white lines — Grass Roots, Daily Flash, Sopwith Camel, Avalon Ballroom, July 1-3, 1966, 1966
Wes Wilson

Not on View

arcing rainbow with blue head behind it; splashes of blue at LLC; cloudlike bubble text, URC; green and red lettering and rocks at bottom; yellow typewritten text, LRC; forms a diptych with 2019.59.102 — Jim Kweskin and the Jug Band, Solid Muldoon, December 1-2, 1601 West Evans Street, Denver,, 1967
Rick Griffin; Artist: Victor Moscoso; Publisher: Family Dog Productions, San Francisco

Not on View

black and white printing on orange ground; photo of an orangutan; various lettering styles over top; Family Dog symbol in ULC — The Great Soceity, The Grass Roots, Big Brother and the Holding Company, Quicksilver Messenger Service, February 26, Filmore Auditorium, 1966
Wes Wilson; Publisher: Family Dog Productions, San Francisco

Not on View

King Tut's death mask in orange, green, pink, and white, on orange ground; white typewritten text at bottom — Miller Blues Band, Lee Michaels, The Peanut Butter Conspiracy, Avalon Ballroom, February 10-11, 1967, 1967
Victor Moscoso

Not on View

%C2%A9 Chet Helms DBA Family Dog Productions. All Rights Reserved

Quicksilver Messenger Service, The Great Society, Avalon Ballroom, September 9-10, 1966, 1966

Alton Kelley; Artist: Stanley Mouse

Not on View

photo portrait of a bearded man wearing a hat and dark jacket; photo of a row of soldiers with rifles at bottom; orange background with blue stars; red text on silver ground at top; blue typewritten text at bottom — Big Brother and the Holding Company, Bo Didley, Bukka White, The Salvation Army Banned, Avalon Ballroom, August 25-27, 1967, 1967
Bob Fried

Not on View

man's face in orange stripes on turquoise ground; orange pyramids surmounted with radiating triangles with eyes in bottom corners — "Zebra Man," 13th Floor Elevators, Quicksilver Messenger Service, September 30-October 1, Avalon Ballroom, 1966
Alton Kelley; Artist: Stanley Mouse; Publisher: Family Dog Productions, San Francisco

Not on View

blue and purple pitcher filled with red flowers formed from text, pink flowers and green foliage; black ground; red tabletop; yellow typewritten text at bottom — Blue Cheer, Lee Michaels, Clifton Chenier, Avalon Ballroom, October 6-8, 1967, 1967
Victor Moscoso

Not on View

central oval photographic image of a Native American man wearing a top hat with a cigarette in his mouth; blue field with white stars and top and vertical red and white stripes at bottom — The Blues Project, The Great Society, April 22-23, Avalon Ballroom, 1966
Wes Wilson; Publisher: Family Dog Productions, San Francisco

Not on View

tan ground; symmetrical organic orange-red and red scrolling design surrounding tan ankh with Eye of Horus at center; black typewritten text at bottom — Allmen Joy, Lothar and the Hand People, 1601 West Evans Street, Denver, October 27-28, 1967, 1967
Alton Kelley; Artist: Stanley Mouse

Not on View

blurry black-and-white photo of a sculpture of a nude woman holding a curving flowing drapery over her head and behind her back; black ground; white arcing text with red star at center at left side — Jefferson Airplane, Other Half, 1601 West Evans Street, Denver, November 7-8, 1967, 1967
Alton Kelley

Not on View

printed in orange and bright blue; oval photographic image of ruins of a building with columns and curved balcony, with men with shovels in front of it — Bob Diddley, Big Brother and the Holding Company, Avalon Ballroom, August 12-13, 1966, 1966
Alton Kelley; Artist: Stanley Mouse

Not on View

pixelated photograph of a shirtless man wearing briefs and flexing his PR bicep with a reclining woman with bare legs in foreground; red and green border with text; photo printed in orange, purple, blue, and yellow; purple typewritten text at bottom — The Youngbloods, The Siegal Schwall Band, Avalon Ballroom, June 15-18, 1967, 1967
Victor Moscoso

Not on View

printed in blue and gold; "ZIG-ZAG" at top; oval with simplified bearded man's face, smoking a cigarette, in blue; text on ribbons — Big Brother and the Holding Company, Quicksilver Messenger Service, Avalon Ballroom, June 24-25, 1966, 1966
Alton Kelley; Artist: Stanley Mouse

Not on View

pink background with blue background on letters around edges; photograph of four young men with guitar cases in front of firework explosions against black ground; purple typewritten text at bottom — Miller Blues Band, Siegal Schwall Band, July 6-9, Avalon Ballroom, 1967
Rick Griffin

Not on View

printed in purple and red on yellow paper; Art Deco style design with scrolling flower stems, flowers, and lily pads at left and top; slanting lettering at right — Quicksilver Messenger Service, Big Brother and the Holding Company, Country Joe and the Fish, Avalon Ballroom, November 25-26, 1966, 1966
Victor Moscoso

Not on View

silhouettes of couple against a purple background; orange, green, blue, and pink stars, text, and arcs over couple; border with similar motifs and colors; white typewritten text at bottom — Youngbloods, The Other Half, Mad River, Avalon Ballroom, September 15-17, 1967, 1967
Victor Moscoso

Not on View

tan ground; printed in green, brown, orange, and blue; man on horseback waving to girl at top; group of five men dressed in Old West gear playing instruments at center; brown typewritten text at bottom — The Quicksilver Messenger Service, The Charlatans, Superband, 1601 West Evans Street, Denver, September 15-16, 1967, 1967
Michael Ferguson; Artist: George Hunter

Not on View

photo printed in brown of standing woman (Janis Joplin) wearing a wide-brimmed hat, with four men seated around her; blue, orange, brown, and black text around edges; black typewritten text at bottom — Big Brother and the Holding Company, Sir Douglas Quintet, The Orkustra, Avalon Ballroom, May 5-7, 1967, 1967
Rick Griffin

Not on View

central rectangle with black-and-white photo of a young man with a feather in his long hair, wearing beaded necklaces; symmetrical design with black and gold border motifs; black typewritten text at bottom — Big Brother and the Holding Company, Quicksilver Messenger Service, Oxford Circle, Avalon Ballroom, February 17-18, 1967, 1967
Alton Kelley; Artist: Stanley Mouse

Not on View

head and torso of a topless woman with long hair, printed in green, against a red ground with a black snake with lettering twined around her; green text at top: "SIN DANCE" — Sin Dance: The Grass Roots, The Sons of Adam, Big Brother and the Holding Company, April 29-30, Avalon Ballroom, 1966
Wes Wilson; Publisher: Family Dog Productions, San Francisco

Not on View

photograph of a seated woman with blonde bobbed hair, with her face lifted upwards, with closed eyes, her hands cupped in front of her chest; woman wears draping garment; photo printed in purple; red and white text, with red scrolls flowing from woman's cupped hands; purple text at bottom — Moby Grape, The Sparrow, The Charlatans, Avalon Ballroom, January 13-14, 1967, 1967
Alton Kelley; Artist: Stanley Mouse

Not on View

green printing on white, resembling a dollar bill; central black and white image of a Native American man with long hair wearing a top hat, with a cigarette in his mouth — Big Brother and the Holding Company, The Oxford Circle, Bob Diddley, Sons of Adam, Avalon Ballroom, August 5-6, 1966, 1966
Alton Kelley; Artist: Stanley Mouse

Not on View

black and white; image in an archway of a skeleton with an oversized skull wearing a tiny cowboy hat and a black jacket, with a cigar in its mouth; bubble letters — The Quick and The Dead: The Grateful Dead, Quicksilver Messenger Service, The New Tweedy Brothers, June 10-11, Avalon Ballroom, 1966
Wes Wilson; Publisher: Family Dog Productions, San Francisco

Not on View

black on white image of patriotic shield with eagle and lightning bolts with a pyramid with an eye surrounded be a spiral of limbs and leaves below, surrounded by a cold frame with scrolls and shells; "INDEPENDANCE" at top; black typewritten text at bottom — Quicksilver Messenger Service, Siegal Schwall, The Phoenix, July 4, Avalon Ballroom, 1967
Rick Griffin

Not on View

printed in brown, red, and green; red house held by a green claw emerging from the ground, with a red vine around it and three flowers — 13th Floor Elevators, The Sir Douglas Quintet, September 2-3, Avalon Ballroom, 1966
Alton Kelley; Artist: Stanley Mouse

Not on View

printed in black and green; text with square black and white photographic image of woman in showgirl-style costume — Love, Captain Beefhart and his Magic Band, Big Brother and the Holding Company, Avalon Ballroom, May 20-22, 1966, 1966
Wes Wilson

Not on View

green pyramid with a green eye in a triangle at top; swirling, radiating fuchsia and green forms emitting from top of pyramid; swirling lettering at bottom; fuchsia ground — 13th Floor Elevators, Moby Grape, Avalon Ballroom, November 11-12, 1966, 1966
Steve Renick

Not on View

central square design with woman's face in purple with lacy flowers and foliage superimposed over top; printed in black, blue, red, and purple — Big Brother and the Holding Company, The Sir Douglas Quintet, Avalon Ballroom, October 15-16, 1966, 1966
Alton Kelley; Artist: Stanley Mouse

Not on View

printed in brown and gold; mainly text with organic scrolling root-like elements in rectangular section at top — Hayfevver: Leaves, Grass Roots, Grateful Dead, May 27-28, Avalon Ballroom, 1966
Wes Wilson; Publisher: Family Dog Productions, San Francisco

Not on View

round element with line drawing of kneeling man wearing a turban, pouring water from a pitcher, which circles around him; cloud-like forms below with text; ground is maroon with purple stars; printed in red, yellow, purple, and orange; orange typewritten text at bottom — The Miller Blues Band, Lee Michaels, Congress of Wonders, Avalon Ballroom, January 20-21, 1967, 1967
Victor Moscoso

Not on View

Santa Claus with small horns, with red text on chest; round element with radiating green triangles on red ground behind Santa's head — Grateful Dead, Steve Miller Blues Band, Moby Grape, Avalon Ballroom, December 23-24, 1966, 1966
Victor Moscoso

Not on View

photographic portrait of Native American man with long hair wearing a hat, beaded necklace, and three medals on his vest; orange and red organic symmetrical designs over image; black text; black typewritten text at bottom — Van Morrison, The Daily Flash, 1601 West Evans Street, Denver, October 13-14, 1967, 1967
Alton Kelley; Artist: Stanley Mouse

Not on View

reproduction of a drawing of a standing man leaning against a short wall printed in blue; orange text; blue typewritten text at bottom — Blue Cheer, Captain Beefheart and his Magic Band, The Youngbloods, Avalon Ballroom, July 27-30, 1967, 1967
Tom Glass

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photographic image of standing woman wearing a sheer garment over her head and body; red ground with orange Family Dog symbols; black text in lower corners; black typewritten text at bottom — Vanilla Fudge, Charles Lloyd Quartet, Avalon Ballroom, September 29-October 1, 1967, 1967
Alton Kelley

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drawing of a skull with a man's face over the nose opening; green ground with red border; yellow and blue ribbons at bottom — The Grateful Dead, Mother Earth, 1601 West Evans Street, Denver, September 22-23, 1967, 1967
Dennis Nolan

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image of a king of spades playing card with lion at center; orange, red, purple, blue, greens, black; black typewritten text at bottom — Buddy Guy, Captain Beefheart, Blue Cheer, Avalon Ballroom, October 13-15, 1967, 1967
Jack Hatfield

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